Metallica - ...And Justice for All [24 bit FLAC] vinyl

  Genre: Pop/Rock
  Styles: Thrash Metal, Hard Rock
  Source: Elektra 60812-1 (1st US pressing)
  Codec: FLAC
  Bitrate: ~ 2,900 kbps
  Bit Depth: 24
  Sampling Rate: 96,000 Hz

  A1 Blackened 
  A2 ...And Justice for All 

  B1 Eye of the Beholder 
  B2 One 

  C1 The Shortest Straw 
  C2 Harvester of Sorrow 
  C3 The Frayed Ends of Sanity

  D1 To Live Is to Die
  D2 Dyers Eve

  Rip Info (not my rip)

  Turntable: VPI Scoutmaster
  Tonearm: Trans-Fi Termninator
  Cartridge: Audio-Technica AT33PTG/II
  Phone Stage: Cinemag SUT feeding a Marantz 2220B
  Digital Interface: E-MU 1212
  Recording Software: Adobe Audition 3.01
  Recording Bitrate/Sample Rate: 192/24

  Review

  The most immediately noticeable aspect of ...And Justice for All isn't Metallica's still-growing compositional sophistication or the apocalyptic lyrical portrait of a society in decay. It's the weird, bone-dry production. The guitars buzz thinly, the drums click more than pound, and Jason Newsted's bass is nearly inaudible. It's a shame that the cold, flat sound obscures some of the sonic details, because ...And Justice for All is Metallica's most complex, ambitious work; every song is an expanded suite, with only two of the nine tracks clocking in at under six minutes. It takes a while to sink in, but given time, ...And Justice for All reveals some of Metallica's best material. It also reveals the band's determination to pull out all the compositional stops, throwing in extra sections, odd-numbered time signatures, and dense webs of guitar arpeggios and harmonized leads. 

  At times, it seems like they're doing it simply because they can; parts of the album lack direction and probably should have been trimmed for momentum's sake. Pacing-wise, the album again loosely follows the blueprint of Ride the Lightning, though not as closely as Master of Puppets. This time around, the fourth song -- once again a ballad with a thrashy chorus and outro -- gave the band one of the unlikeliest Top 40 singles in history; "One" was an instant metal classic, based on Dalton Trumbo's antiwar novel Johnny Got His Gun and climaxing with a pulverizing machine-gun imitation. As a whole, opinions on ...And Justice for All remain somewhat divided: some think it's a slightly flawed masterpiece and the pinnacle of Metallica's progressive years; others see it as bloated and overambitious. Either interpretation can be readily supported, but the band had clearly taken this direction as far as it could. The difficulty of reproducing these songs in concert eventually convinced Metallica that it was time for an overhaul.