The Beatles - Revovler (1966) [24 bit FLAC] vinyl

  Genre: Pop/Rock
  Styles: Psychedelic, British Invasion
  Source: Capitol Records CLJ-46441 US Pressing vinyl
  Codec: FLAC
  Bitrate: ~ 2,900 kbps
  Bit Depth: 24
  Sampling Rate: 96,000 Hz

  01 Taxman 
  02 Eleanor Rigby 
  03 I'm Only Sleeping 
  04 Love You To
  05 Here, There And Everywhere
  06 Yellow Submarine
  07 She Said She Said 
  08 Good Day Sunshine
  09 And Your Bird Can Sing
  10 For No One 
  11 Doctor Robert 
  12 I Want To Tell You
  13 Got To Get You Into My Life 
  14 Tomorrow Never Knows

  Rip info: (not my rip)

  Music Hall MMF2.2 turntable
  Benz MC20E2L cartridge
  Denon AU300LC step-up transformer
  Bellari VP-129 tube phone preamp
  M-Audio MicroTrack II recorder
  Click Repair 2.1
  Adobe Audition 3.0

  All the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either -- Harrison staked out his own dark territory with the tightly wound, cynical rocker "Taxman"; the jaunty yet dissonant "I Want to Tell You"; and "Love You To," George's first and best foray into Indian music. Such explorations were bold, yet they were eclipsed by Lennon's trippy kaleidoscopes of sound. His most straightforward number was "Doctor Robert," an ode to his dealer, and things just got stranger from there as he buried "And Your Bird Can Sing" in a maze of multi-tracked guitars, gave Ringo a charmingly hallucinogenic slice of childhood whimsy in "Yellow Submarine," and then capped it off with a triptych of bad trips: the spiraling "She Said She Said"; the crawling, druggy "I'm Only Sleeping"; and "Tomorrow Never Knows," a pure nightmare where John sang portions of the Tibetan Book of the Dead into a suspended microphone over Ringo's thundering, menacing drumbeats and layers of overdubbed, phased guitars and tape loops. McCartney's experiments were formal, as he tried on every pop style from chamber pop to soul, and when placed alongside Lennon's and Harrison's outright experimentations, McCartney's songcraft becomes all the more impressive. The biggest miracle of Revolver may be that the Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it's still as emulated as it was upon its original release.