Füxa - Dirty D [2013][EAC,log,cue. FLAC]
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- Audio > FLAC
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- 16
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- 261.25 MiB (273945079 Bytes)
- Tag(s):
- rock electronic psychedelic
- Uploaded:
- 2013-10-12 00:20 GMT
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- dickspic
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- Info Hash: 57D7C2A69555DDC7334FE74B6240BB09A5A45BBF
Artist: Füxa Release:Dirty D Released: 2013 Label: Rocket Girl Catalog#: RGIRL97 Format: FLAC / Lossless / Log (100%) / Cue Country: USA Style: folk rock electronic psychedelic 01. The Blue Barracuda (03:46) 02. Reverse (02:17) 03. Berzap (03:45) 04. Inside (02:57) 05. Shout Out Loud (02:42) 06. Sun Is Shining (06:22) 07. Dirty D (06:22) 08. Forward (02:21) 09. Razzamatazz (02:52) 10. Whisper (04:12) 11. Unknown (04:12) 12. Stand By Me (04:14) Füxa is a wide congregation featuring a revolving cast of members, including Ann Shelton, BJ Cole, and Judy Dyble of Fairport Convention. They have made, with Dirty D, a lush electronica-pop album full of ambient beauty, head-soaking production and some great tunes. The D in the title presumably standing for delights. Opener The Blue Barracuda drifts like Vangelis or a less fuzz-drenched Fennesz, BJ Cole plays bottle-neck slide-guitar over an encroaching drone. This is followed by the lush synth-swept verdant uplands of Reverse, in which a whispering backwards tape hiss blows through like a soft wind, Cole lending lap-steel guitar, its gentle screams recalling Berlin-era Bowie. Inside has a swaying weightless lilt to it; gusts of space-hum compete with clipped vocal samples. Shout Out Loud has a clicking metronomic drum-machine beat, this underpins bass synths and chiming percussion. Sun is Shining is a highlight, Ann Shelton unleashes a filthy fuzz-packed synth riff, full of whistling knob-twisting electro abuse, heated circuitry and stressed amps, the song is propulsive, robotic in the best sense, like prime Add N to (X), the music is as scorched and irradiated as its lyrics. The title track has a stops-out church organ melody, doomy and delicate, a skittering beat beneath. Razzmatazz is glitch-filled machine-clank, a clattering industro-beat is softened by deep pillows of synth. Dirty D closes with a great cover of Stand By Me, Cole bends chords over respiring electronics and pulses of bass, the lugubrious vocals recall Yo La Tengo. This song and the album as a whole fills the area left by The Flaming Lips post The Soft Bulletin, an album of inventive computer-soul.