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THE RAMPAGING HULK 01-27 (Marvel Magazine) (1977-1981)
Type:
Other > Comics
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27
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557.88 MiB (584981049 Bytes)
Tag(s):
Rampaging Hulk magazine The Hulk Marvel Incredible Hulk Indestructible Hulk Bloodstone Man-Thing Moon Knight Jim Starlin Doug Moench Dennis O'Neil Walter Simonson Howard Chaykin Bill Sinkiewicz Joe Ju
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2013-06-04 13:08 GMT
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STFmaryville
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Info Hash:
C8AB11D6EC1F4A6746632E3F48EE3CAAA4382B4B




The Rampaging Hulk is a black-and-white magazine published by Curtis Magazines (an imprint of Marvel Comics) from 1977–1978. With issue #10, it changed its format to color, and title to The Hulk!, and ran another 17 issues before it folded in 1981. It was a rare attempt by Marvel to mix their superhero characters with the "mature readers" black-and-white magazine format.

With the change to color and the title to The Hulk!, the magazine became Marvel's attempt to cash in on the popularity of The Incredible Hulk TV series, starring Bill Bixby and Lou Ferrigno, both of whom were prominently featured and interviewed over the course of the magazine's run, as was executive producer Kenneth Johnson.

The magazine featured fully painted covers by such artists as Ken Barr, Earl Norem, and Joe Jusko. One cover in particular, painted by Norem, is one of the most iconic promotional/poster images of the Hulk:[citation needed] a darkly-lit close-up of his face, gritting his teeth with his knuckles raised, done for The Hulk! #17.

Artists such as Walter Simonson, John Buscema, Howard Chaykin, John Romita, Sr., John Romita, Jr. (doing some of his first professional work), Keith Pollard, Jim Starlin, Joe Jusko, Bill Sienkiewicz, Val Mayerik, Herb Trimpe, Roger Stern, Brent Anderson, and Gene Colan provided interior artwork; while writers such as Starlin, Doug Moench, Dennis O'Neil, and Archie Goodwin took on the scripting chores.

Through its run the magazine published backup features starring Ulysses Bloodstone (issues #1–6, #8) Man-Thing (issue #7) and Shanna the She-Devil (issue #9). Moon Knight was featured in issues #11–15, #17–18, and #20, featuring some of Bill Sienkiewicz' early work, when his style was similar to that of Neal Adams.

With issue #24, the title returned to black-and-white, though it published the last Dominic Fortune backup story in full color. The magazine was retired with issue #27.