Patricia Brennan - More Touch (2022)
- Type:
- Audio > FLAC
- Files:
- 15
- Size:
- 348.83 MiB (365778870 Bytes)
- Uploaded:
- 2023-09-29 09:35 GMT
- By:
- mariorg
- Seeders:
- 0
- Leechers:
- 0
- Info Hash: 3002C4A7145D6BC55DF0E52D9687BD3BCC0ED262
Patricia Brennan More Touch 2022 - Pyroclastic Records: PR 22 https://www.pyroclasticrecords.com/release/more-touch/ https://patriciabrennanpyroclastic./album/more-touch * Marcus Gilmore : drums * Mauricio Herrera: percussion * Kim Cass : bass * Patricia Brennan: vibraphone, electronics, marimba https://en.wikipedia.org/wiki/Marcus_Gilmore https://www.mauricioherreramusic.com/ https://www.allmusic.com/artist/kim-cass-mn0003292549 https://www.patriciabrennanvibes.com/ Recorded by Ron Saint Germain & Ryan Streber at Oktaven Audio, Mount Vernon, New York, USA, on March 31 & April 1, 2022. Reviews ~~~~~~~ By Peter Margasak https://thequietus.com/articles/32407-tyshawn-sorey-patricia-brennan-tom-skinner With her second album vibraphonist Patricia Brennan continues to till fresh soil for her instrument, following up a solo recording with this unusual quartet endeavor. While studying music in Philadelphia the Mexican native worked in classical percussion ensembles, and in the press materials she says she viewed this band in a similar way. She’s joined by the superb drummer Marcus Gilmore – known well for his work in Vijay Iyer’s trio – Cuban conguero Mauricio Herrera, and bassist Kim Cass, whom the leader mines for his complex rhythmic agility and propulsion. Additionally, Brennan tapped into the traditional music of her native Veracruz, a kind of sound that shares concepts with Herrera’s Afro-Cuban grounding. Compared with the aerated explorations of her 2021 album Maquishti, this new one is dense, distinguished by a compressed polyrhythmic matrix. Her improvisations are tightly woven into those taut grooves, but she consistently uses electronics to stretch and abstract her lines, which routinely dissipate into beautifully foggy pools of sound, only to regain clarity and continue driving forward. There are times when I wish she would lay off the effects, and allow the gorgeous resonance of her unmediated instrument to float over the tricky patterns sculpted by her band, but there’s no question she’s forging a genuinely new language for the vibraphone. -- By Paul Acquaro https://www.freejazzblog.org/2022/12/patricia-brennan-more-touch-pyroclastic.html By Mike Jurkovic https://www.allaboutjazz.com/more-touch-patricia-brennan-pyroclastic-records By Filipe Freitas https://jazztrail.net/blog/patricia-brennan-more-touch-album-review Jazz Fun (de) https://www.jazz-fun.de/patricia-brennan-more-touch.html Da Riccardo Talamazzi (it) https://offtopicmagazine.net/2023/01/12/patricia-brennan-more-touch/ Par Raphaël Benoit (fr) https://www.citizenjazz.com/Patricia-Brennan-3481591.html Por «Canción a quemarropa» (es) https://www.cancionaquemarropa.es/2022/11/patricia-brennan-publica-more-touch/ Por «El intruso» (es) https://elintruso.com/2022/09/12/patricia-brennan-presenta-more-touch/