Pink Floyd - DSOTM - 3 Versions [Vinyl] [FLAC]
- Type:
- Audio > FLAC
- Files:
- 59
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- 2.57 GiB (2759199209 Bytes)
- Tag(s):
- 1973 flac rock psychedelic rock classic rock dsotm insinuendo vinyl 180g harvest mfsl
- Uploaded:
- 2010-11-15 11:37 GMT
- By:
- insinuendo
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- Info Hash: 5118F1406CA069760577D5D7CE074B5383BD7672
Here is a collection of three versions of the Famous DSOTM. I included as much info as I could. Hope you enjoy! Pink Floyd - The Dark Side Of The Moon (1973) [MFSL 1-017] 24-bit/96 kHz Vinyl Rip Posted By : Dr. Robert | Date : 15 Mar 2010 05:11:30 | Pink Floyd - The Dark Side Of The Moon Vinyl rip in 24-bit/96kHz | FLAC | 5% RAR Recovery) | m3u, no cue or log (vinyl) | Full LP Artwork 934 MB (24/96) | RS + Hot File | Genre: Progressive Rock | 1973 Mobile Fidelity Sound Labs MFSL 1-017 (1979) Half-Speed Mastered by Stan Ricker. Pressed in Japan on JVC "SuperVinyl" “ The Dark Side of the Moon is the sixth studio album by English progressive rock group Pink Floyd, and was released in March 1973. The concept album built on ideas explored by the band in their live shows and earlier recordings, but it lacks the extended instrumental excursions that characterized their work following the departure in 1968 of founding member, principal composer, and lyricist Syd Barrett. The Dark Side of the Moon's themes include conflict, greed, the passage of time and mental illness, the latter partly inspired by Barrett's deteriorating mental state. The album was developed as part of a forthcoming tour of live performances, and it premièred several months before studio recording began. The new material was further refined during the tour and was recorded in two sessions in 1972 and 1973 at Abbey Road Studios in London. The group used some of the most advanced recording techniques of the time, including multitrack recording and tape loops. Analogue synthesisers were given prominence in several tracks, and a series of recorded interviews with staff and band personnel provided the source material for a range of philosophical quotations used throughout. Engineer Alan Parsons was directly responsible for some of the most notable sonic aspects of the album, including the non-lexical performance of Clare Torry. The Dark Side of the Moon was an immediate success, topping the Billboard 200 for one week. It subsequently remained in the charts for 741 weeks from 1973 to 1988, longer than any other album in history. With an estimated 45 million copies sold, it is Pink Floyd's most commercially successful album and one of the best-selling albums worldwide. It has twice been remastered and re-released, and has been covered by several other acts. It spawned two singles, "Money" and "Us and Them". In addition to its commercial success, The Dark Side of the Moon is one of Pink Floyd's most popular albums among fans and critics, and is frequently ranked as one of the greatest rock albums of all time. Read much much more on Wikipedia †Released: 10 March 1973 Recorded: June 1972 – January 1973, Abbey Road Studios, London Genre: Progressive rock Length: 42:59 Label: Harvest / Capitol Producer: Pink Floyd Vinyl Ripping Log Nitty Gritty RCM 1.5 Technics SL-1200MK2 Turntable with KAB Fluid Damping and KAB record grip Ortofon 2M Black cartridge Pro-Ject Tube Box SE II Preamp Tascam US-144 external USB 2.0 Audiointerface Bias Peak LE 6 recording software iZotope RX Advanced 1.21 for Redbook conversion xACT 1.71 for Redbook SBE correction RCM>TT > Ortofon 2M Blk> Tube Box preamp> ADC> Mac Pro Dual Xeon> Peak LE @ 24/96 > analyze (no clipping, no DC Bias offset, each side maximized to -0.3 dB) > split into individual Tracks > Click Repair 3.02 used in Manual Mode, 30 Rev, Pitch Protection, X2 > FLAC encoded Level 8 with XLD Version 20100302 (116.6) All de-clicking software used in full manual mode to preserve musical transients. No music was harmed in the making of this vinyl rip. No silence been removed, please burn gapless to match original track layout. Pink Floyd - Dark Side of The Moon (30th Anniversary Edition 180g vinyl) I do not know who the author of this is so I couldn't ask for permission. But I'm sure he didn't ask Pink Floyd for permission either :D = + = + = + = + = + = + = + = + = + = + = The four building blocks of the universe are fire, water, gravel and vinyl. ~Dave Barry = + = + = + = + = + = + + = + = + = + = + Authors Comments: ---------------- I've heard quite a few vinyl rips of DSOTM and I still felt there was something more this format has to offer. I went in search of it and decided I will finally post something that I feel is up to my tastes and listening preferences. This community has given me so much new and good music, that I am completely humbled by it. I feel privileged to be able to share our one common passion that binds us all...the music. We come from all walks of life, but truly become one in our musical spirits within this wonderful community. This is my way of saying thanks for everything. So... I present to you the result of my vinyl journey...digitized NO Equalization + NO Digital Processing + NO DeClicking + NO Noise Reduction = Pure Unadulterated Analog Bliss Track listing: -------------- Side A A1 Speak to Me A2 Breathe A3 On the Run A4 Time A5 The Great Gig in the Sky Side B B1 Money B2 Us and Them B3 Any Colour You Like B4 Brain Damage" B5 Eclipse Technical Notes: --------------- Turtable: *VPI TNT-V "Hot Rod" with VPI HRX Dual Motor, VPI HRX Platter (Motor spiked with Starsound Sistrum Brass Audiopoints into VPI MDF Platform) *VPI Turntable Stand with VPI MDF Platform resting on three Symposium Rollerblocks Series 2+ ball bearing vibrational control devices. Symposium Ultra Shelf (constrained layer damping) used under the Rollerblocks and ontop of the VPI Turntable Stand. *JWM 12.5 Unipivot Tonearm *VPI Synchronous Drive System (VPI S.D.S.) *Clearaudio "Accurate" Phono Cartridge 0.6mV Moving Coil (24k Gold internal wiring) Stylus TRIGON II, diamond tip radius 5x40 µm Cantilever Clearaudio-boron Coil array Symmetrical to pivot point (Clearaudio-patent) Compliance hor./vert. 15/15µ/mN Recommended tracking force 2.2 grams (Individual) Electrical Impedance 50 Ohms @ 1000hz Channel separation >40dB Channel balance Non measurable Cables: *Harmonix Golden Performance HS101 RCA (0.75m) from table to Phono Stage *Furutech Audio Reference III RCA cables from Phonostage to Analog-to-Digital converter Phonostage: *Einstein "The Turntables Choice" single ended Phono Amp ADC Converter: *Custom Analog to Digital converter designed and built by yours truly. Solid State device with high quality, minimal hand selected parts and shortest signal paths. *Recorded at 192kHz, 24bit --> downsampled to 96kHz, 24bit FLAC files through BIAS Peak Pro XT 6. Record Preparation: *All records cleaned & scrubbed on a VPI 16.5 Wet Vacuum record cleaning machine *Record cleaning liquid is L'Art du Son AUTHOR'S REQUESTS: ------------------ *Please do not upload this torrent anywhere without my permission or consent. *ADC details cannot be disclosed as it is proprietary information. Please don't ask for it. *Please enjoy this release :) The next version was already upped at Demonoid, but not well seeded, so I decided to include it in the pack. Pink Floyd - The Dark Side Of The Moon (Vinyl MFSL UHQR 24Bit 96kHz) Flac 24/96 extraction of the UHQR album. I haven't done the rip myself but decided to upload it to demonoid since there's only a flac 16bits version on this site. The quality is good and it's worth downloading if you're a fan of this album, at least just for the experince of listening this particular version. Equipement used: Recorded at 24/96 there is no post processing whatsoever - what you hear is what is on the vinyl. This is an excellent copy but even after cleaning there are still one or two clicks and pops. Feel free to remove them if you want - they do not bother me. As usual before converting this excellent copy to FLAC the record was cleaned on a Loricraft Pro cleaning machine using L' Art du Son cleaner. It was transcribed on an SME20/2 turntable with SME V arm and Koetsu Rosewood Platinum Signature cartridge to a Krell KPE reference phono amp and on to a Steve Huntley modified Audio Research LS22 tube pre amp. The ADC was an e-mu 0202 and the sound was captured on Audition 2. All cables are Grover Silver reference. Monitoring was via an Audio Synthesis DAX Discrete DAC, Krell FPB400cx power amp and Wilson Benesch speakers with Velodyne DD-10 sub-woofers. Got it somewhere else, posted here. Thanks to the original uploader