FSOL - Papua New Guinea (1992) [FLAC]
- Type:
- Audio > FLAC
- Files:
- 13
- Size:
- 218.07 MiB (228666002 Bytes)
- Tag(s):
- 1992 flac insinuendo electronic breakbeat dub techno idm ambient hypnotic
- Uploaded:
- 2010-05-01 16:55 GMT
- By:
- insinuendo
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- Info Hash: FCFC561F3E7798600400A1E38626A145084B9E2B
Artist: The Future Sound of London Album: Papua New Guinea CD Single Label: Hypnotic Discogs: http://www.discogs.com/Future-Sound-Of-London-Papua-New-Guinea/release/9789 Catalog#: CLP 9743-2 Format: CD, Maxi-Single Released: 1992/1996 Genre: Electronic Style: Breakbeat, Dub, Techno, IDM, Ambient Credits: Artwork By [Graphic Design] – Eunah Lee Composed By – Brian Dougans , Garry Cobain Engineer – Yage Keyboards [Additional], Programmed By [Additional] – Gary Burns (tracks: 1, 3, 4, 6 & 7) , Jagz* (tracks: 1, 3, 4, 6 & 7) Producer – Future Sound Of London, The Codec: FLAC Tracklisting: 1 Papua New Guinea (7" Original) (3:51) 2 Papua New Guinea (Andrew Weatherall Mix) (9:44) 3 Papua New Guinea (Dub Mix) (1:23) 4 Papua New Guinea (Journey To Pyramid) (5:25) 5 Papua New Guinea (Graham Massey Mix) (3:47) 6 Papua New Guinea (Dumb Child Of Q Mix) (4:24) 7 Papua New Guinea (12" Original) (5:00) 8 Papua New Guinea (Hamish McDonald Mix) (5:05) “Papua New Guinea†is a 1991 song by the electronic music group Future Sound of London. It was the group’s debut single and later appeared on their full-length album Accelerator it reached #22 on the UK singles chart. The track has been remixed and released many times since its original release, both legitimately and in bootleg format on CD, Vinyl and Cassette. The song became a popular rave and club track almost immediately upon its release. The original mix notably samples the bassline from Meat Beat Manifesto’s proto-jungle track “Radio Babylonâ€, vocal samples of Lisa Gerrard’s singing lifted from the Dead Can Dance song “Dawn Of The Iconoclastâ€, from their 1987 album Within the Realm of a Dying Sun and “Shelter Me†by Circuit. “Papua New Guinea†was perhaps FSOL’s most club-oriented track; most of the remixes on the single are very dancefloor-friendly. After Accelerator’s release, however, they moved in increasingly ambient and experimental directions.