NOTES FROM UNDERGROUND by Fyodor Dostoyevsky (1864) {FerraBit}

Read by . . : George Guidall
Publisher . : Recorded Books (2017)
ISBN . . . .: B07BVNXNYB 9781490616940 9781501946059
Format. . . : MP3. 6 tracks.
Size: . . . : 231 MB
Bitrate . . : 110 kbps (Stereo, VBR, 44.1 kHz)
Source . . .: 6 CDs (5 hrs)
Genre . . . : Classics Suspense Psychological Thrillers
Unabridged .: Unabridged 

Nicely tagged and labeled, cover scan included.
See the INFO file for listing of ~400 books from the FPL.

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June 2018

 Links: 
https://en.wikipedia.org/wiki/Notes_from_Underground

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Description:

"I am a sick man...I am a spiteful man", a nameless voice cries out. And so, from underground, emerge the passionate confessions of a suffering man; the painful self-examination of a tormented soul; the bristling scorn of a lonely individual who has become one of the greatest anti-heroes in all literature.

Notes from Underground reveals Fyodor Dostoevsky on the threshold of genius, discovering the ideas that would later lead him to create his most monumental novels: Crime and Punishment, The Idiot, and The Brothers Karamazov. Those who are familiar with his works will immediately recognize the novel's richly complex philosophical, political, and psychological themes; those who are not will find in their hands the best introduction to Dostoevsky's grander masterpieces.

Notes from Underground will deepen your understanding of a giant among writers of world literature - a man who continues to influence the greatest thinkers and writers in the Western world today.
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Wiki:
Notes from Underground (also translated as "Notes from the Underground" or "Letters from the Underworld") is an 1864 novella by Fyodor Dostoevsky. Notes is considered by many to be one of the first existentialist novels. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, or the underground man's diary, and attacks emerging Western philosophy, especially Nikolay Chernyshevsky's What Is to Be Done? The second part of the book is called "Apropos of the Wet Snow" and describes certain events that appear to be destroying and sometimes renewing the underground man, who acts as a first person, unreliable narrator and anti-hero