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Trementina - 810 (2017) [FLAC]
Type:
Audio > FLAC
Files:
10
Size:
180.74 MiB (189515538 Bytes)
Tag(s):
politux flac 16.44 rock shoegaze dream.pop noise.rock indie 2010s 2017 chile
Uploaded:
2017-03-28 20:52 GMT
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politux
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Info Hash:
AF7B4E48C2FD4E99BE127235957498C6F4C9213E




Trementina - 810 (2017) [FLAC]

  Genre: Rock
  Styles: Shoegaze, Dream Pop
  Source: WEB
  Codec: FLAC 
  Bit rate: ~ 900 kbps 
  Bit depth: 16
  Sample rate: 44.1 kHz

  01 Please, Let's Go Away 
  02 All I Wanted 
  03 Oh Child 
  04 Out of the Lights 
  05 No Control 
  06 The Sound & the South 
  07 A Place up in the Sky 
  08 Fall Over Myself
  09 810 

  The Chilean trio Trementina started off as straight-ahead shoegazers, overloading their sugar-sweet songs with gnarly waves of guitars and noise. Their first few EPs were pleasantly hooky and certain to conjure up memories of bands like the early Lilys or Swirlies, who learned the lessons of My Bloody Valentine well enough to crank out a very reasonable facsimile of their trademark sound. Both those bands also changed their sound pretty quickly once they established their shoegaze bona fides. Trementina try a similar move on their first full album, 2017's 810. They peel back the wall of sound and introduce some shimmering dream pop, delve into trance-inducing dance beats, and channel their inner Cocteau Twins, while also letting the noise take over on the songs with a more experimental nature, like "The Sound & the South" and the title track. Their sonic choices let the melodies breathe and give the songs some real dramatic power that their previous work didn't. Trementina are far less likely to try bowling listeners over and more likely to seduce them with glimmering dynamics ("Out of the Lights") or nocturnal goth balladry ("No Control"), or lull them into peaceful states of mind with sounds that undulate like the calm ocean ("A Place Up in the Sky"). They even drift a little bit in the direction of '90s bands like the Darling Buds on the bright and poppy "Fall Over Myself." Cristobal Ortiz no longer uses his guitar like an industrial machine; instead, he colors in the arrangements like a master painter who always has a new color to add to the canvas