Ryan Adams - Prisoner (2017) [24.96 FLAC]
- Type:
- Audio > FLAC
- Files:
- 13
- Size:
- 887.54 MiB (930650177 Bytes)
- Tag(s):
- politux flac 24.96 24bit rock indie alternative 2010s 2017
- Uploaded:
- 2017-03-08 17:49 GMT
- By:
- politux
- Seeders:
- 2
- Leechers:
- 1
- Info Hash: 04FAE115FCC09591730DC5F89C3ECE4318C35C40
Ryan Adams - Prisoner (2017) [24.96 FLAC] Genre: Rock Styles: Indie, Alternative Source: WEB Codec: FLAC Bit rate: ~ 2,900 kbps Bit depth: 24 Sample rate: 96 kHz 01 Do You Still Love Me 02 Prisoner 03 Doomsday 04 Haunted House 05 Shiver and Shake 06 To Be Without You 07 Anything I Say to You Now 08 Breakdown 09 Outbound Train 10 Broken Anyway 11 Tightrope 12 We Disappear Picking up the thread left hanging from 2014's eponymous album -- in retrospect, his 2015 cover of Taylor Swift's 1989 seems even more of a detour -- Ryan Adams winds up diving ever deeper into early-'80s sounds and sensibilities on Prisoner. Such supple sounds are carefully constructed with producer Don Was, a professional who helps Adams articulate the AOR ideals he initially essayed in 2014. Prisoner sounds warm, open, and inviting, its welcoming vibes contradicting how it's an album born out of pain, a record written in the aftermath of Adams' divorce from Mandy Moore. Sadness haunts the corners of Prisoner -- it's there in the very song titles, beginning with the opener "Do You Still Love Me" and running through its aching closer, "We Disappear" -- but it's not a sorrowful record, not with its smooth edges and warm center. All of this is an outgrowth of the aesthetic Adams pioneered in 2014, one that he lent to Jenny Lewis' The Voyager, and the reconstituted soft rock suits him well: it’s a salute to the past and Adams always respected tradition. If the songs on Prisoner follow a conventional path of heartbreak -- a man sorting through the remnants of a broken romance -- the sound helps give the album an identity. Adams largely relies on cinematic classic rock tricks, a move underscored by how "Outbound Train" seems like an answer to Bruce Springsteen's "Downbound Train" -- toward the end of the record he starts to thread in a few spare acoustic confessionals, songs that play like subdued nods to his Americana past -- and that's the charm of Prisoner: it's not a record that wallows in hurt, it's an album that functions as balm for bad times