Ryan Adams - Prisoner (2017) [FLAC]

  Genre: Rock
  Styles: Indie, Alternative
  Source: CD (log + cue) 
  Codec: FLAC
  Bit rate: ~ 900 kbps
  Bit depth: 16
  Sample rate: 44.1 kHz
  
  01 Do You Still Love Me  
  02 Prisoner
  03 Doomsday
  04 Haunted House
  05 Shiver and Shake
  06 To Be Without You
  07 Anything I Say to You Now
  08 Breakdown
  09 Outbound Train
  10 Broken Anyway
  11 Tightrope
  12 We Disappear

  Picking up the thread left hanging from 2014's eponymous album -- in retrospect, his 2015 cover of Taylor Swift's 1989 seems even more of a detour -- Ryan Adams winds up diving ever deeper into early-'80s sounds and sensibilities on Prisoner. Such supple sounds are carefully constructed with producer Don Was, a professional who helps Adams articulate the AOR ideals he initially essayed in 2014. Prisoner sounds warm, open, and inviting, its welcoming vibes contradicting how it's an album born out of pain, a record written in the aftermath of Adams' divorce from Mandy Moore. Sadness haunts the corners of Prisoner -- it's there in the very song titles, beginning with the opener "Do You Still Love Me" and running through its aching closer, "We Disappear" -- but it's not a sorrowful record, not with its smooth edges and warm center. All of this is an outgrowth of the aesthetic Adams pioneered in 2014, one that he lent to Jenny Lewis' The Voyager, and the reconstituted soft rock suits him well: it’s a salute to the past and Adams always respected tradition. If the songs on Prisoner follow a conventional path of heartbreak -- a man sorting through the remnants of a broken romance -- the sound helps give the album an identity. Adams largely relies on cinematic classic rock tricks, a move underscored by how "Outbound Train" seems like an answer to Bruce Springsteen's "Downbound Train" -- toward the end of the record he starts to thread in a few spare acoustic confessionals, songs that play like subdued nods to his Americana past -- and that's the charm of Prisoner: it's not a record that wallows in hurt, it's an album that functions as balm for bad times