NxWorries - Yes Lawd! (2016) [FLAC]
- Type:
- Audio > FLAC
- Files:
- 22
- Size:
- 311.41 MiB (326534731 Bytes)
- Tag(s):
- politux flac 16.44 hip.hop beats wonky lo.fi 2010s 2016
- Uploaded:
- 2016-10-22 15:39 GMT
- By:
- politux
- Seeders:
- 0
- Leechers:
- 1
- Info Hash: B58BF1CEA43838907071AD58933B98A397BA1461
NxWorries - Yes Lawd! (2016) [FLAC] Genre: Hip Hop Styles: Beats, Wonky, Lo-fi Source: CD (log + cue) Codec: FLAC Bit rate: ~ 900 kbps Bit depth: 16 Sample rate: 44.1 kHz 01 Intro 02 Livvin 03 Wngs 04 Best One 05 What More Can I Say 06 Kutless 07 Lyk Dis 08 Can't Stop 09 Get Bigger / Do U Luv 10 Khadijah 11 H.A.N. 12 Scared Money 13 Suede 14 Starlite 15 Sidepiece 16 Jodi 17 Link Up 18 Another Time 19 Fkku NxWorries appeared in early 2015 on Stones Throw with "Suede." Knxwledge provided the dazed production, its beat a clipped gait -- Gil Scott-Heron/Brian Jackson's "The Bottle" stretched and dragged to support Anderson Paak's freewheeling vehicular exhibition and macking seminar. Dr. Dre then sought Paak for extensive work on Compton, while the rising Knxwledge produced "Momma" on To Pimp a Butterfly and released a Stones Throw album. As Paak and Knxwledge sustained their prominence with separate collaborative and solo work, their activity as a unit gradually escalated to this full-length, released during the fourth quarter of 2016. It includes "Suede," two other cuts from an EP originally released as a download in late 2015, and 40 additional minutes of keenly bent and smudged soul loops. Though Paak is an accomplished musician and bandleader, as seen throughout 2016 in several televised performances to promote Malibu, he sticks strictly to singing and rapping, leaving Knxwledge to handle all the music. Reflective of their collaborative alias, Paak doesn't sound particularly bothered, apart from some irritation related in "H.A.N.," a deflection of leeches and critics, and some serious concerns and confessions within the supremely dreamy "Khadijah." Otherwise, he keeps it lighthearted as an irrepressible rolling stone. Audibly and lyrically coarse, he rarely sounds less than entirely self-satisfied and at least a little amused, whether he's dealing out wisecracking wordplay or quoting J Dilla as he deftly coasts over and darts between the beats