MONO - Requiem for Hell (2016) [FLAC]
- Type:
- Audio > FLAC
- Files:
- 8
- Size:
- 272.6 MiB (285840910 Bytes)
- Tag(s):
- politux flac 16.44 rock post.rock experimental 2010s 2016
- Uploaded:
- 2016-10-16 18:53 GMT
- By:
- politux
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- Info Hash: 265B45B714607A6C95DAE7A57AF03EAB31949ED4
MONO - Requiem for Hell (2016) [FLAC] Genre: Rock Styles: Post-Rock, Experimental Source: CD (log + cue) Codec: FLAC Bit rate: ~ 900 kbps Bit depth: 16 Sample rate: 44.1 kHz 01 Death in Rebirth (08:05) 02 Stellar (04:58) 03 Requiem for Hell (17:48) 04 Ely's Heartbeat (08:27) 05 The Last Scene (06:43) Since the late 1990s, Japan's Mono have stubbornly adhered to post-rock's basic aesthetics. Though they've experimented with strings, keyboards, and various sounds and textures, all of their albums bear an unmistakable signature that combines formulaic dynamic strategies with wide tonal palettes and intimate, compressed melodic structures. In Mono's music, rock is a way of examining and expressing emotional, psychological, and spiritual states. Requiem for Hell is the quartet's ninth album. It's a reunion with Steve Albini, their behind-the-boards collaborator from 2004's Walking Cloud and Deep Red Sky through 2009's Hymn to the Immortal Wind. This is a back to basics affair, an attempt to sum up everywhere Mono has been, but it's also their noisiest record ever. Opener "Death in Rebirth" is a companion piece to "Death and Reverse," their half of 2015's Transcendental split with Ocean. It picks up where the earlier cut left off. Takaakira Goto's and Hideki Suematsu's guitars introduce a minimal riff. Drummer Yasunori Takada and bassist Tamaki Kunishi commence a hypnotic, martial vamp in response. Ever increasing guitar layers get pasted onto the mix until it bleeds red with squalling distortion and feedback -- without forsaking an irresistible harmonic center. The centerpiece is the set's 17-plus-minute epic title track. Goto's sad guitar line is at the fore, while a softly played glockenspiel and ambient sound hover in the backdrop. Takada enters five minutes in accompanied by bassist Kunishi and Suematsu. The vamp expands and the force increases in density until there's nowhere left to go but silence. Quiet sounds and echoes emerge from the emptiness, gradually introducing guitars and drums