The Resonance Ensemble - Head Above Water, Feet Out Of The Fire
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Not Two Records: MW 910-2 http://nottwo.com/PelnaPlyta.php?Id=467&W=0 * Magnus Broo: trumpet * Per Åke Holmlander: tuba * Steve Swell: trombone * Tim Daisy: drums * Michael Zerang: drums * Dave Rempis: alto saxophone, tenor saxophone * Mikołaj Trzaska: alto saxophone, bass clarinet * Ken Vandermark: baritone saxophone, Bb clarinet * Wacław Zimpel: Bb clarinet, alto clarinet * Devin Hoff: bass VI * Mark Tokar: acoustic bass http://www.kenvandermark.com/2012/12/resonance-ensemble-bio/ http://www.waclawzimpel.pl/ http://www.trzaska.art.pl/ http://www.daverempis.com/the-resonance-project/ http://www.timdaisy.wordpres...11/02/27/resonance-festival/ Album 1 ------- Head Above Water ~~~~~~~~~~~~~~~~ 1. Creative Reconstruction Company (for Muhal Richard Abrams) [19:37] 2. Elegy For Two Rooms (for Fred Anderson and Von Freeman) [10:29] 3. Type A (for Michael Orlove) [21:22] Recorded by Bob Weston at Strobe Recording, Chicago on August 29, 2012. Album 2 ------- Feet Out Of The Fire ~~~~~~~~~~~~~~~~~~~~ 1. FSA Color (for Thomas Bernhard) [19:51] 2. Lipstick In Hi-Fi (for Jean-Luc Godard) [15:55] 3. The Other Shore (for Robert Irwin) [10:55] 4. Watch Repair (for Michael Haneke) [20:23] Recorded live in concert by Michael W. Huon at the Kunstencentrum, Belgie, Hasselt on March 17, 2012. Reviews ~~~~~~~ By Philip Coombs http://www.freejazzblog.org/2014/02/the-resonance-ensemble-head-above-water.html On Ken Vandermark's Facebook page, squeezed between a request to play what looks to be an agriculture simulation with tanks and 54 birthday wishes to a guy I may or may not have met in 1992, something new and exciting was a brewing. 'Audio One', a new large group, fronted (and a new 9 track book composed) by Vandermark, are planning an April release. I guess it was time to catch up on his other large ensemble and revisit 'Head Above Water/ Feet Out of the Fire', the late 2013 release from his international Resonance Ensemble on Not Two Records. The album begins by tipping the hat to 70's powerhouse improv group 'Creative Construction Company' and in particular Muhal Richard Abrams with Creative Reconstruction Company. It starts out sounding like a pack of rabid dogs on leashes of varying sizes. You never know if they will pull taught at arms length or mere inches from your jugular. This is the power of the Vandermark composition at its finest. He is there, guiding them though the workout of notes on the page, with whistle in mouth just in case. It builds and recedes and lets the smaller dogs sing before the next wave of growling envelops your ears layered over a pretty addictive drum and bass groove. There is something to be said for the sequence of tracks on a recording. Only seconds after the opening kick to the embouchure, comes Elegy for Two Rooms (For Fred Anderson and Von Freeman). It is like watching a tear from in the corner of someone's eye and over the course of 10 minutes, you study intently as it rolls down the face leaving a trail of itself, and distant pleasant memories, until it slows down over the cheek bone and pauses on the chin before slightly darkening the fabric of the shirt it gets absorbed into. Listen. The first CD ends with Type A (For Michael Orlove). This 21 minute monster has enough in it to almost warrant its own release. It is demanding and complex, compelling and exhausting. Vandermark begins with a mini overture which disassembles itself over and over again all held together with Devin Hoff's electric bass. By the time it finishes, all you want to do is take a break and fully contemplate what just happened, but no, there is another CD waiting.... Without going into too much detail, the second disc is full of Vandermarkisms with include sheets of brass coming at you like ninjas in a cymbal factory to breakdowns where quartets, trios, duos, and solos are highlighted and even revered. However there is a sense of finality to this recording as if all that can be said has been said. I do hope I'm wrong. -- By Mark Corroto http://www.allaboutjazz.com/head-above-water-feet-out-of-the-fire-ken-vandermark-resonance-ensemble-not-two-records-review-by-mark-corroto.php By Bird is the Worm http://www.birdistheworm.com/the-resonance-ensemble-head-above-water-feet-out-of-the-fire/